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Dj pre amp11/7/2023 ![]() That's why I'd typically not invest in a separate phono stage in that class to replace an integrated phono stage, especially in case the latter should look like a good candidate for modding. *sigh*), it's no surprise that entry-level separate phono stages will typically at best offer a slightly different flavour, and even more expensive ones up to round about 150 Euro will hardly be significantly better (talking about common, widely available, commercially offered, ready-made ones, of course - diy kits and modules will often offer much better bang for the buck.). So, unless the phono input on the surround receiver is messed up with unsuitable input parameters (most often excess input capacity, sometimes also lower input impedance - which over here happens pretty often in order to comply with rather rigid emi regulations. Well, and many of the moderately priced separate phono stages use just the same basic design (just to name one popular example: the mm sections in NAD's PP series models), but depending on the price possibly already with higher quality components. Pretty much the same goes for the passive parts around. suitable to do the job, but nothing special. And the opamps usually are very typical, run-of-the-mill models - i.e. Oh, well, in most surround receivers with mm input one will find the typical, opamp based single-stage solution with the (re-)equalisation done in the feedback loop - usually quite up to the task, but nothing to write home about yet. It IS tiny, and that amp is no monster either. The Onkyo 809 is being used as a preamp, sending its output to a Monarchy Audio SM-70 Pro, feeding a nice pair of Genesis Physics II's that I totally rebuilt the crossovers in.Īnd a couple pics to go along with this thread. Even while sitting in the sweet spot, my girlfriend switched it back and forth several times and I still didn't hear any change.Īs for the rest of the system (because I know you guys will ask), I'm running a Luxman PD277 with an AT Signet TK7E. It's certainly nothing to rave over though.Īlso, I have been flipping back and forth on the 100 & 200 pF and can't tell a difference at all either way. I have to admit, the ART does have a bit more sparkle and a touch more bass with a little bit of impact over the built-in pre. When set there, the "Clip" LED flickers red every once in a while, though I don't hear any clipping of any kind. In order for it to match the built-in phono preamp's output, I have to have the ART's "Gain Trim" set to +4. But from what I'm hearing thus far, I'm not impressed. Maybe because it's brand new and has only been powered up for about 30 minutes, I don't know. I hooked this preamp up to my Onkyo TX-NR809 receiver in hopes of it being a much better improvement over the built-in phono preamp in the 809.įlat out, this thing is nothing special at all.
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